Saturday Michele and I went to the Lensic in Santa Fe for the last live broadcast of the Metropolitan Opera's season, La Fille du Régiment. We were in the next-to-the-last row, so I couldn't wear my custom-designed suction cups, catapult myself to the screen, and attach myself to Natalie Dessay, my ultimate hug-honey after Michele. Juan Diego Flórez has received some fairly ecstatic press for nailing all the high Cs in Ah! mes amis (including a solo encore). You may have to subscribe to the online NYTimes (free), but you can also hear an excerpt of the aria at his website. The opera was a delight; the singing and the acting were superb.
Natalie Dessay as Marie, la fille du régiment
Before the opera began, we enjoyed listening to the people sitting behind us.
"Do you speak French? It looks like we're in for a lot of French today."
"I don't speak French."
"Well, we're in for a lot of French today in this opera by Donizetti. Wait. Donizetti. That's Italian. Then why are we in for a lot of French?"
They then started talking about their travels. "No, they're not dead people! What they are is mummies." I was glad to have that distinction clarified.
At all the operas at the Lensic, I noticed a woman who seemed to know everyone, and everyone appeared to know her. I figured I should introduce myself, just in case we should know each other. So I went up, introduced myself, and shook her old cow hand. She introduced herself to me. Well, the woman is richer than God. She raised $9 million to renovate the Lensic, owns the Eldorado Hotel, and does other philanthropic work. I thanked her for all she does. Yep, she's someone worth knowing.
1 month ago